Please use this identifier to cite or link to this item: https://hdl.handle.net/1959.11/15278
Title: Processes and Concepts in Present-Day Transcultural Violin Performance Practice
Contributor(s): Watson, Kerry Ann (author); Alter, Andrew (supervisor); de Ferranti, Hugh  (supervisor); Game-Lopata, Jennifer  (supervisor)
Conferred Date: 2014
Copyright Date: 2013
Open Access: Yes
Handle Link: https://hdl.handle.net/1959.11/15278
Abstract: This thesis is a creative practice project that examines the role of the violin in transcultural locations of musical engagement. The project focuses on repertoire associated with two disparate locations of practice, northwest European (Irish/Scottish) Celtic fiddling and Indonesian hybrid creations. By examining, performing and creating repertoire for violin, the music itself is viewed not only as a product of transculturation, but also as a process in which the technical and symbolic features of the violin are expressed through repertoire in different cultural locations. The thesis incorporates performance, composition and an exegesis and focuses on the way performance practice is influenced by aural and written modes of musical expression.
Publication Type: Thesis Doctoral
Fields of Research (FoR) 2008: 190407 Music Performance
Fields of Research (FoR) 2020: 360304 Music performance
Socio-Economic Objective (SEO) 2008: 950101 Music
Socio-Economic Objective (SEO) 2020: 130102 Music
Rights Statement: Copyright 2013 - Kerry Ann Watson
HERDC Category Description: T2 Thesis - Doctorate by Research
Appears in Collections:Thesis Doctoral

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