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Please use this identifier to cite or link to this item: https://hdl.handle.net/1959.11/14020
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dc.contributor.authorGriggs, Yvonneen
dc.date.accessioned2014-02-17T11:27:00Z-
dc.date.issued2009-
dc.identifier.citationJournal of Adaptation in Film & Performance, 2(2), p. 109-119en
dc.identifier.issn1753-643Xen
dc.identifier.issn1753-6421en
dc.identifier.urihttps://hdl.handle.net/1959.11/14020-
dc.description.abstractThis article explores the relationship between a number of film products of the Dogme New Wave and the various intertexts at play in their creation; it poses questions about the very nature of adaptation and the interplay between so-called precursory texts and their seemingly adapted offspring. In particular, it interrogates the ways in which Vinterberg's Festen (1998) and Levring's 'The King is Alive' (2000) echo, at a conscious or a subconscious level, performative and ideological facets of Shakespeare's 'Hamlet' (1601) and 'King Lear' (1608) respectively.en
dc.languageenen
dc.publisherIntellect Journalsen
dc.relation.ispartofJournal of Adaptation in Film & Performanceen
dc.titleDogmatic Shakespeare: a 'recognition of ghostly presences' in Thomas Vinterberg's 'Festen' and Kristian Levring's 'The King is Alive'en
dc.typeJournal Articleen
dc.identifier.doi10.1386/jafp.2.2.109_1en
dc.subject.keywordsCommunication Studiesen
dc.subject.keywordsMedia Studiesen
local.contributor.firstnameYvonneen
local.subject.for2008200104 Media Studiesen
local.subject.for2008200101 Communication Studiesen
local.subject.seo2008950204 The Mediaen
local.subject.seo2008950205 Visual Communicationen
local.profile.schoolSchool of Humanities, Arts and Social Sciencesen
local.profile.emailygriggs@une.edu.auen
local.output.categoryC1en
local.record.placeauen
local.record.institutionUniversity of New Englanden
local.identifier.epublicationsrecordune-20131111-104056en
local.publisher.placeUnited Kingdomen
local.format.startpage109en
local.format.endpage119en
local.peerreviewedYesen
local.identifier.volume2en
local.identifier.issue2en
local.title.subtitlea 'recognition of ghostly presences' in Thomas Vinterberg's 'Festen' and Kristian Levring's 'The King is Alive'en
local.contributor.lastnameGriggsen
dc.identifier.staffune-id:ygriggsen
local.profile.roleauthoren
local.identifier.unepublicationidune:14233en
dc.identifier.academiclevelAcademicen
local.title.maintitleDogmatic Shakespeareen
local.output.categorydescriptionC1 Refereed Article in a Scholarly Journalen
local.search.authorGriggs, Yvonneen
local.uneassociationUnknownen
local.year.published2009en
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