Please use this identifier to cite or link to this item: https://hdl.handle.net/1959.11/11240
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dc.contributor.authorRyan, John Sen
dc.date.accessioned2012-09-10T12:57:00Z-
dc.date.issued1987-
dc.identifier.citationMARGIN: Monash Australian Research Group Informal Notes (18), p. 1-6en
dc.identifier.issn0314-6782en
dc.identifier.urihttps://hdl.handle.net/1959.11/11240-
dc.description.abstractJustin Fleming was born in Sydney on January 3, 1953, to middle class Catholic parents who sent him to the Jesuit institution, St. Ignatius College, Riverview, Sydney. After leaving school in 1970 and enrolling in the Faculty of Arts at the University of New South Wales, he attended for the next two years part-time acting classes with Hayes Gordon at the Ensemble Theatre at Milson's Point and, in 1972, joined Gemini Productions (Sydney) where he worked on new television shows as well as doing scripts for 'The Godfather', 'The True Blue Show' (ATN 7), 'The Spoiler' and 'The Young Doctors'. From 1973 he studied law part-time at the University of Sydney, where he was a director of the Gilbert and Sullivan Society, choosing for production amongst others, the two derisive scrutinies of English law, 'Trial by Jury' and 'Cox and Box'. From 1975 he was an associate to a judge, and took his law finals in 1978. Meanwhile he had begun writing plays and had completed the manuscript of 'Hammer' in 1976 and of 'Doubted his Empire' in 1978.en
dc.languageenen
dc.publisherMonash Universityen
dc.relation.ispartofMARGIN: Monash Australian Research Group Informal Notesen
dc.titleThe Theatre of Justin Fleming: Neo-Edwardian or Universal?en
dc.typeJournal Articleen
dc.subject.keywordsSocial and Cultural Geographyen
dc.subject.keywordsRecreation, Leisure and Tourism Geographyen
dc.subject.keywordsDrama, Theatre and Performance Studiesen
local.contributor.firstnameJohn Sen
local.subject.for2008160403 Social and Cultural Geographyen
local.subject.for2008160402 Recreation, Leisure and Tourism Geographyen
local.subject.for2008190404 Drama, Theatre and Performance Studiesen
local.subject.seo2008950105 The Performing Arts (incl. Theatre and Dance)en
local.subject.seo2008950104 The Creative Arts (incl. Graphics and Craft)en
local.subject.seo2008950503 Understanding Australias Pasten
local.profile.schoolSchool of Humanities, Arts and Social Sciencesen
local.profile.emailjryan@une.edu.auen
local.output.categoryC2en
local.record.placeauen
local.record.institutionUniversity of New Englanden
local.identifier.epublicationsrecordune-20120910-105535en
local.publisher.placeAustraliaen
local.format.startpage1en
local.format.endpage6en
local.identifier.issue18en
local.title.subtitleNeo-Edwardian or Universal?en
local.contributor.lastnameRyanen
dc.identifier.staffune-id:jryanen
local.profile.roleauthoren
local.identifier.unepublicationidune:11439en
dc.identifier.academiclevelAcademicen
local.title.maintitleThe Theatre of Justin Flemingen
local.output.categorydescriptionC2 Non-Refereed Article in a Scholarly Journalen
local.search.authorRyan, John Sen
local.uneassociationUnknownen
local.year.published1987en
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