Please use this identifier to cite or link to this item: https://hdl.handle.net/1959.11/11128
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dc.contributor.authorRyan, John Sen
dc.date.accessioned2012-08-27T13:59:00Z-
dc.date.issued1966-
dc.identifier.citationCambridge Review, 88(2125), p. 421-423en
dc.identifier.issn0008-2007en
dc.identifier.urihttps://hdl.handle.net/1959.11/11128-
dc.description.abstractSince his death some two and a half years ago, C. S. Lewis (the University's foundation Professor of Mediaeval and Renaissance English) - has had his memory unnecessarily blurred by a tide of monographs, miscellaneous essays and lecture notes published posthumously, poetic trivia scraped together, and the uneasy and donnish tribute of 'Light on Lewis', a book rightly viewed with distaste by the more perceptive. Whether the 'Letters', edited by his elder brother, soldier and historian of France, W. H. Lewis, will be the last or the most penetrating commentary on him remains to be seen. Yet it is certainly true that in his introductory "Memoir" and his actual editing of the letters selected, Warren Lewis has done signal service, both for what he reveals, and for the taste and manliness with which he carries out his role as editor, brother (and thus fellow childhood sufferer), and friend. The introductory study is of importance to the student of Lewis's mind as it reveals, in a way that 'Surprised by Joy' did not, the traumatic in the writer's background, notably the smothering yet aloof personality of the father, the anxieties he caused (p. 172), and the burden which Lewis had upon him for nearly 32 years, that of the widowed mother of one of his former brother officers, whose own association with the stripling cadet must have been of the briefest duration. Of limited mind, dominating and of possessive temperament, she had a genius for creating domestic chaos and imposed "a restrictive and distracting servitude for many of his most fruitful years" (p. 12). Warren Lewis also gives us the most explicit details of the agonies endured before the apparently automatic academic career was, in fact, successfully begun ; inside information about the famed literary coterie, so abused by F. R. Leavis and others as Anglo-Parnassus, but self-styled as the Inklings and which outlasted the leftists and became one of the Establishment's brighter jewels. At its head and holding the group together Lewis was his most blustering, genial and masculine self.en
dc.languageenen
dc.publisherCambridge University Pressen
dc.relation.ispartofCambridge Reviewen
dc.titleThe Man Behind the Mask - C. S. Lewisen
dc.typeJournal Articleen
dc.subject.keywordsProfessional Writingen
dc.subject.keywordsStudies in Creative Arts and Writingen
dc.subject.keywordsPerforming Arts and Creative Writingen
local.contributor.firstnameJohn Sen
local.subject.for2008190499 Performing Arts and Creative Writing not elsewhere classifieden
local.subject.for2008190302 Professional Writingen
local.subject.for2008199999 Studies in Creative Arts and Writing not elsewhere classifieden
local.subject.seo2008950504 Understanding Europes Pasten
local.subject.seo2008950404 Religion and Societyen
local.subject.seo2008950406 Religious Traditions (excl. Structures and Rituals)en
local.profile.schoolSchool of Humanities, Arts and Social Sciencesen
local.profile.emailjryan@une.edu.auen
local.output.categoryC2en
local.record.placeauen
local.record.institutionUniversity of New Englanden
local.identifier.epublicationsrecordune-20120824-171218en
local.publisher.placeUnited Kingdomen
local.format.startpage421en
local.format.endpage423en
local.identifier.volume88en
local.identifier.issue2125en
local.contributor.lastnameRyanen
dc.identifier.staffune-id:jryanen
local.profile.roleauthoren
local.identifier.unepublicationidune:11326en
dc.identifier.academiclevelAcademicen
local.title.maintitleThe Man Behind the Mask - C. S. Lewisen
local.output.categorydescriptionC2 Non-Refereed Article in a Scholarly Journalen
local.search.authorRyan, John Sen
local.uneassociationUnknownen
local.year.published1966en
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