Please use this identifier to cite or link to this item:
https://hdl.handle.net/1959.11/10066
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Bristow, Thomas | en |
dc.date.accessioned | 2012-05-04T09:59:00Z | - |
dc.date.issued | 2010 | - |
dc.identifier.citation | Green Letters, v.12, p. 64-67 | en |
dc.identifier.issn | 2168-1414 | en |
dc.identifier.issn | 1468-8417 | en |
dc.identifier.uri | https://hdl.handle.net/1959.11/10066 | - |
dc.description.abstract | How to negotiate three islands of thought: the sign as concrete entity which relates to concept and image, ideas-in-form; Hume's claim that humanity's first ideas of religion arose not from the contemplation of the works of nature, but primitive fear of the environment (and the unfamiliar within) founded myth, which is the origin of religion; and potentially liberating natural contract of Michael Serres' archaic consciousness as radical nostalgia? You may wish to fasten your seatbelt when you open Coupe's revised edition of the Critical Idiom on myth but it is unnecessary for this thoroughly engaging enquiry into the mechanics of myth and the methodological and ideological implications of mythology is not only wise and clear but highly accessible. Coupe's two-part text aims to cast light upon the mythopoeic imagination by means of a critical examination of: (a) what it means to read myth - a form of practical criticism; and (b) what constitutes mythic reading - how the interpretation of myth can lend itself to the making of myths. | en |
dc.language | en | en |
dc.publisher | Association for the Study of Literature and the Environment (ASLE-UK) | en |
dc.relation.ispartof | Green Letters | en |
dc.title | Towards New Materialism or Semioclasm and its Discontents: Review of Laurence Coupe, 'Myth', 2nd ed. (London: Routledge, 2009) | en |
dc.type | Review | en |
dc.subject.keywords | British and Irish Literature | en |
dc.subject.keywords | Literary Theory | en |
local.contributor.firstname | Thomas | en |
local.subject.for2008 | 200525 Literary Theory | en |
local.subject.for2008 | 200503 British and Irish Literature | en |
local.subject.seo2008 | 970119 Expanding Knowledge through Studies of the Creative Arts and Writing | en |
local.profile.school | School of Arts | en |
local.profile.email | tbristo2@une.edu.au | en |
local.output.category | D3 | en |
local.record.place | au | en |
local.record.institution | University of New England | en |
local.identifier.epublicationsrecord | une-20120416-104729 | en |
local.publisher.place | Bath, United Kingdom | en |
local.format.startpage | 64 | en |
local.format.endpage | 67 | en |
local.identifier.volume | 12 | en |
local.title.subtitle | Review of Laurence Coupe, 'Myth', 2nd ed. (London: Routledge, 2009) | en |
local.contributor.lastname | Bristow | en |
dc.identifier.staff | une-id:tbristo2 | en |
local.profile.role | author | en |
local.identifier.unepublicationid | une:10257 | en |
dc.identifier.academiclevel | Academic | en |
local.title.maintitle | Towards New Materialism or Semioclasm and its Discontents | en |
local.output.categorydescription | D3 Review of Single Work | en |
local.relation.url | http://www.asle.org.uk/letters.html | en |
local.search.author | Bristow, Thomas | en |
local.uneassociation | Unknown | en |
local.year.published | 2010 | en |
Appears in Collections: | Review |
Files in This Item:
File | Description | Size | Format |
---|
Items in Research UNE are protected by copyright, with all rights reserved, unless otherwise indicated.