Browsing by Type "Recorded/rendered Creative Works - Digital Creative Work"
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Publication Open AccessRecorded/rendered Creative Works - Digital Creative WorkInsights into a critical friend practice: Closing reflectionsTraditionally the professional development of mentors is largely driven by researchers taking on the role of leader or facilitator of workshops or group sessions. This role in the mentor literature is rarely conceptualised beyond: providing support, meeting and liaising with or leading the group. Working as a critical friend in a participatory action research with teacher mentors I explored and postulated this role as part of my identity as a researcher, artist and educator. "Insights into the critical friend practice: Closing reflections" is a digital presentation of eleven abstract collaged images interspersed with text, which act as a vehicle to communicate my professional growth and learning from working as a critical friend with teacher mentors. Embodied in the work are culminating reflections of my emerging identity as a critical friend to teacher mentors. To add to the current mentoring and critical friend research literature it concludes with a conceptualisation of the critical friend who supported the professional growth of mentors (beginning or experienced teachers) while working in a participatory action research as a contextualised professional development. This conceptualisation provides a model for other researchers, who professionally develop mentors.3753 3 - Some of the metrics are blocked by yourconsent settings
Publication Open AccessRecorded/rendered Creative Works - Digital Creative WorkListen to Me: Memory & I am a survivor(Green Room Music, 2018-07-16); ;Cobby Eckermann, Ali; ;Conner, HollyDunn, JessicaMemory and I am a survivor are two works from the digital recording/podcast 'Listen to Me' composed and produced by Andrée Greenwell. It is a collection of songs, words and music made in response to the current debate in Australia about gendered violence. To create this experimental audio recording, the creative response to this theme involved free improvisation by the musicians, reacting to the provided text/lyrics.
The pieces are improvisations based on text by Ali Cobby Eckermann. No musical material was provided, only written text. These two tracks feature Blackburn's experimental performance on sopranino and contrabass recorders - using the words, phrases, meaning, and personal emotive responses to provide a soundtrack to the spoken text. Standard and extended techniques were used to imitate and reflect the themes of domestic violence, survival and support.
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