Please use this identifier to cite or link to this item: https://hdl.handle.net/1959.11/9244
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dc.contributor.authorBailliet, Lucette Claudeen
dc.contributor.authorGossip, Christopheren
dc.contributor.authorNicholls, Jamesen
dc.date.accessioned2012-01-17T18:36:00Z-
dc.date.created2008en
dc.date.issued2009-
dc.identifier.urihttps://hdl.handle.net/1959.11/9244-
dc.languagefren
dc.titleLe Théâtre Aristocratique de Molière: Analyse néo-traditionnelle d'un corpus méconnu suivant les canons de la régularité, des bienséances et de la préciositéen
dc.typeThesis Doctoralen
dc.subject.keywordsFrench Languageen
local.contributor.firstnameLucette Claudeen
local.contributor.firstnameChristopheren
local.contributor.firstnameJamesen
local.subject.for2008200306 French Languageen
local.subject.seo2008950203 Languages and Literatureen
local.subject.seo751001 Languages and Literatureen
dcterms.RightsStatementCopyright 2008 - Lucette Claude Baillieten
dc.date.conferred2009en
local.thesis.degreelevelDoctoralen
local.thesis.degreenameDoctor of Philosophyen
local.contributor.grantorUniversity of New Englanden
local.profile.schoolFrenchen
local.profile.emaillbailli2@une.edu.auen
local.profile.emailcgossip@une.edu.auen
local.profile.emailjnichol1@une.edu.auen
local.output.categoryT2en
local.record.placeauen
local.record.institutionUniversity of New Englanden
local.identifier.epublicationsrecordune_thesis-20090528-10482en
local.title.subtitleAnalyse néo-traditionnelle d'un corpus méconnu suivant les canons de la régularité, des bienséances et de la préciositéen
local.contributor.lastnameBaillieten
local.contributor.lastnameGossipen
local.contributor.lastnameNichollsen
dc.identifier.staffune-id:lbailli2en
dc.identifier.staffune-id:cgossipen
dc.identifier.staffune-id:jnichol1en
local.profile.roleauthoren
local.profile.rolesupervisoren
local.profile.rolesupervisoren
local.identifier.unepublicationidune:9435en
dc.identifier.academiclevelAcademicen
dc.identifier.academiclevelAcademicen
dc.identifier.academiclevelAcademicen
local.abstract.englishThis thesis examines Molière's aristocratic theatre (an often misjudged corpus) through a neo-traditional analysis according to the canons of regularity, the proprieties and preciosity. After more than three centuries, Molière's theatre is well known or so we think. However, parts of his work are largely ignored or disparaged by the critics. This is largely because they do not know how to deal with the farces written at the beginning of his Paris career or the court theatre created during royal festivities. The first group of plays is said to be insignificant and derived mainly from the 'commedia dell'arte', while the second is simply dismissed as having been nothing more than court entrainment prepared for special occasions at the request of the King. It is on this second group that we have focused our attention. Current views are that this theatre is of second-rate and does not need any further recognition. Considering the French seventeenth-century predilection for cultural excellence, it is difficult to accept this opinion. In view of Molière's avowed desire to please the aristocratic public, we have identified elements that we believe would have been pleasing to this audience and have selected a number of plays, which reflect these parameters. Then we have applied to this discrete group of eleven plays the rules of verisimilitude and propriety established by theorists of the seventeenth-century theatre and have examined how this 'aristocratic' theatre measured up.en
local.title.maintitleLe Théâtre Aristocratique de Molièreen
local.output.categorydescriptionT2 Thesis - Doctorate by Researchen
local.thesis.borndigitalyesen
local.search.authorBailliet, Lucette Claudeen
local.search.supervisorGossip, Christopheren
local.search.supervisorNicholls, Jamesen
local.uneassociationYesen
local.year.conferred2009en
Appears in Collections:Thesis Doctoral
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