Please use this identifier to cite or link to this item: https://hdl.handle.net/1959.11/31633
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dc.contributor.authorBaines, Sueen
dc.contributor.authorEdwards, Janeen
local.source.editorEditor(s): Susan Hoganen
dc.date.accessioned2021-09-27T04:42:14Z-
dc.date.available2021-09-27T04:42:14Z-
dc.date.issued2019-
dc.identifier.citationArts Therapies and Gender Issues: International Perspectives on Research, p. 37-54en
dc.identifier.isbn9781351121958en
dc.identifier.isbn9780815358695en
dc.identifier.urihttps://hdl.handle.net/1959.11/31633-
dc.description.abstract<p>Health research approaches and practices have historically developed in a culture of privilege, often described as white male privilege. As interpersonal therapies such as music therapy and psychotherapy rely on the therapist's use of the self, it is incumbent on training programs, trainers, and students to first be aware of their own cultural identity, rather than focusing on cultural sensitivity training and awareness that only perceive the "other". Music can transmit oppressive information, including information about gender. Limited acknowledgment of feminist theory in music therapy has presented possible reasons why the foundational tenet of feminism, gender analysis, particularly with the modern intent of decreasing binary theories of gender, is rarely present in music therapy publications. Employing critical cultural analyses within research and treatment practices can begin to address oppression and inequities. Music therapists have explored the relevance of feminist theory to the practice of music therapy.</p>en
dc.languageenen
dc.publisherRoutledgeen
dc.relation.ispartofArts Therapies and Gender Issues: International Perspectives on Researchen
dc.relation.ispartofseriesInternational Research in the Arts Therapiesen
dc.titleAnalysing gender oppression in music therapy research and practiceen
dc.typeBook Chapteren
dc.identifier.doi10.4324/9781351121958-4en
local.contributor.firstnameSueen
local.contributor.firstnameJaneen
local.profile.schoolFaculty of Humanities, Arts, Social Sciences and Educationen
local.profile.emailjedwar51@une.edu.auen
local.output.categoryB1en
local.record.placeauen
local.record.institutionUniversity of New Englanden
local.publisher.placeLondon, United Kingdomen
local.identifier.totalchapters16en
local.format.startpage37en
local.format.endpage54en
local.series.number4en
local.peerreviewedYesen
local.contributor.lastnameBainesen
local.contributor.lastnameEdwardsen
local.seriespublisherRoutledgeen
local.seriespublisher.placeAbingdon, United Kingdomen
dc.identifier.staffune-id:jedwar51en
local.profile.orcid0000-0002-2705-8478en
local.profile.roleauthoren
local.profile.roleauthoren
local.identifier.unepublicationidune:1959.11/31633en
local.date.onlineversion2019-08-16-
dc.identifier.academiclevelAcademicen
dc.identifier.academiclevelAcademicen
local.title.maintitleAnalysing gender oppression in music therapy research and practiceen
local.output.categorydescriptionB1 Chapter in a Scholarly Booken
local.search.authorBaines, Sueen
local.search.authorEdwards, Janeen
local.uneassociationYesen
local.atsiresearchNoen
local.sensitive.culturalNoen
local.year.available2019en
local.year.published2019en
local.fileurl.closedpublishedhttps://rune.une.edu.au/web/retrieve/09ef9078-77f4-422d-b195-48b94e7b66ccen
local.subject.for2020430309 Gender historyen
local.subject.for2020420103 Music therapyen
local.subject.seo2020280122 Expanding knowledge in creative arts and writing studiesen
local.codeupdate.date2022-03-02T14:50:15.811en
local.codeupdate.epersonjedwar51@une.edu.auen
local.codeupdate.finalisedtrueen
local.original.for2020430309 Gender historyen
local.original.for2020420103 Music therapyen
local.original.seo2020280122 Expanding knowledge in creative arts and writing studiesen
local.relation.worldcathttp://www.worldcat.org/oclc/1083703446en
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