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Publication DateTitleAuthor(s)Date Added
12012Performance Recordivity: Studio Music In A Live ContextKnowles, Julian; Hewitt, Donna 11-May-2017
22018Perception of emotion in vocal timbre: priming and likert scale datasetsSpreadborough, Kristal ; Anton-Mendez, Ines 20-Oct-2019
32013Scribes at Work, Scribes at Play: Challenges for Editors of the 'ars subtilior'Stoessel, Jason 16-May-2014
42014Mirror: for recorder quartet (Descant, Treble, Tenor, Bass)Thorn, Benjamin 2-Nov-2015
52015Tim Winton's 'Dirt Music': Sounding Country/Re-siting PlaceHarris, Stephen 9-Oct-2015
6Nov-2018Comparing medieval and modern musical listening habitsStoessel, Jason ; Anton-Mendez, Ines ; Spreadborough, Kristal 29-Mar-2019
72006Austral./Asian Cultural and Folkloric Synergies and Exchanges: A Progressive DevelopmentRyan, John S 16-Nov-2015
82013Alien Divas and Sampled Sirens: A Brief Mapping of Opera in Popular Music from 1980-2005Klein, Eve6-Jun-2014
92018The Canons DatabaseStoessel, Jason ; Blackburn, Alana ; Collins, Denis11-Apr-2019
102014Voicing Persephone: Narrative, Voice and Structure in 'The Pomegranate Cycle'Klein, Eve17-Jun-2014
112014Processes and Concepts in Present-Day Transcultural Violin Performance PracticeWatson, Kerry Ann; Alter, Andrew; de Ferranti, Hugh ; Game-Lopata, Jennifer 20-Jun-2014
122005Franz Liszt and the physiognomic ideal in the nineteenth centuryDavison, Alan 31-May-2012
132015Out of the FrameThorn, Benjamin ; Cope, Gordon 20-Jun-2017
142012Indigenous Hip-hop: overcoming marginality, encountering constraintsWarren, Andrew ; Evitt, Rob19-Jun-2013
152005Review of Fischlin, D and Heble, A (eds) (2004) 'The Other Side of Nowhere: Jazz, Improvisation and Communities in Dialogue', Middletown (Connecticut): Wesleyan University PressBennett, Cary 15-Apr-2011
162010Self-made CD: Texture and Narrative in Small-Run DIY CD ProductionKlein, Eve15-Oct-2014
172010Hymns of the Church: O Wondrous Chords! Settings of Deo Gracias in Current Lutheran HymnalsKnijff, Jan-Piet9-May-2011
18Jun-2019Facsimile of the Anne Boleyn Music BookStoessel, Jason 21-Oct-2019
192010Hymns of the Church: "Christ Is Arisen" ELW 372/LSB 459Knijff, Jan-Piet9-May-2011
202014The Angevin Struggle for the Kingdom of Naples (c.1378-1411) and The Politics of Repertoire in Mod A: New HypothesesStoessel, Jason 30-Sep-2014
212018FracasThorn, Benjamin 23-Jul-2019
222000An Editorial Transnotation of the Manuscript Capella Sistina 51 [2]: Biblioteca Apostolica Vaticana, Città del Vaticano: Liber missarumEakins, Rex 3-Jul-2013
232016Review Article: Editing Early English MusicStoessel, Jason 7-Jul-2016
242016Conceptualizing Music Therapy: Five Areas that Frame the FieldEdwards, Jane 13-Feb-2020
252015Louise Hanson-Dyer's commonplace book of early music theoryStoessel, Jason 27-Jan-2016
262006MusicMaddox, Richard Peter23-Mar-2012
272013Facing the methodological challenges of re-using previously collected data in a qualitative inquiryFoster, Dennis J; Hays, Terrence N; Alter, Frances 23-May-2013
282014Review of Rosalind Appleby 'Women of Note: The Rise of Australian Women Composers' Freemantle, Western Australia: Freemantle Press, 2012, 184 pp. ISBN 978 1 928 88762 (hardback)Game-Lopata, Jennifer 17-Jul-2014
292009No String Quartet is an Island: The Stylistic Reflection of Contemporary European Views on the Function of Art in the Late Works of BeethovenCoward, Imogen13-Oct-2010
302012Introduction to 'Colonial Modernity and East Asian Musics'de Ferranti, Hugh ; Yamauchi, Fumitaka15-May-2013
312018Music as Symbolic Image: Christological Narratives in Agnus Dei Sections of Renaissance MassesStoessel, Jason ; Collins, Denis13-Mar-2019
322017French-texted Songs at the Council of Constance: Influences, Paths of Transmission, and TrendsStoessel, Jason 8-Jun-2017
332010Looking Back over the 'Missa L'Ardant desir': Double Signatures and Unusual Signs in Sources of Fifteenth-Century MusicStoessel, Jason 11-Nov-2010
342016Collecting Musical Prints in Late Eighteenth-Century England: Taste, Self-Improvement and John Bland's "Portrait Series"Davison, Alan 7-Apr-2017
352018Addressing dimensions of "The Great Moral Wrong": How inequity in music education is polarizing the academic potential of Australian studentsBrasche, Inga; Thorn, Benjamin 20-Aug-2018
362008Orgelcultuur in New York: Meer dan supersize orgels en een heleboel geldKnijff, Jan-Piet28-Nov-2011
372018The Cloud of Musical Knowledge: Towards a Critical Music Theory PedagogySmith, Paul 25-Jul-2018
382014Is classical music 'boring'?: A discussion of fidelity, virtuosity and performance in classical music recordingKlein, Eve25-May-2015
392015Performing Nostalgia On Record: How Virtual Orchestras And YouTube Ensembles Have Problematised Classical MusicKlein, Eve26-May-2015
402005Do You Speak Music?Ghandar, Ann 13-May-2010
412012Revisiting 'Aÿ, mare, amice mi care': insights into late medieval music notationStoessel, Jason 22-Jan-2013
422012Divine Art: Three Musicians Reveal the Nature of the Profession in Early Twentieth-Century AustraliaGame-Lopata, Jennifer 15-Nov-2012
4320147th New England Bach FestivalThorn, Benjamin 1-Sep-2015
442010The Interpretation of Unusual Mensuration Signs in the Notation of the 'Ars subtilior'Stoessel, Jason 8-Jun-2010
452012Portraits of Dussek from London and ParisDavison, Alan 1-Feb-2013
462016The Relevance of Digital Humanities to the Analysis of late Medieval/Early Renaissance MusicStoessel, Jason 12-Jan-2019
472018An Integrative Diagram Representing Music Therapy for Learning and PracticeEdwards, Jane 27-Nov-2019
482016The Role Repertoire Choice Has in Shaping the Identity and Functionality of a Chamber Music EnsembleBlackburn, Alana 27-Nov-2017
49Mar-2016Sad music as a means for acceptance-based copingVan den Tol, Annemieke J M; Edwards, Jane ; Heflick, Nathan A24-Nov-2019
50Feb-2016Is there such a thing as qualitative research?Edwards, Jane 24-Nov-2019
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