Please use this identifier to cite or link to this item: https://hdl.handle.net/1959.11/9187
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dc.contributor.authorBuchanan, Heather Joanen
dc.contributor.authorMinichiello, Victoren
dc.contributor.authorHays, Terrenceen
dc.contributor.authorHarrington, Ingriden
dc.date.accessioned2012-01-13T16:06:00Z-
dc.date.created2010en
dc.date.issued2011-
dc.identifier.urihttps://hdl.handle.net/1959.11/9187-
dc.description.abstractThis study examines student musicians' perceptions of their performance and development as a result of using Body Mapping (BMG) technique. BMG is a somatic (mind-body) education technique designed to teach musicians skills in self-evaluation and change for performing with sensory-motor integrity. A qualitative research design guided by an interpretive framework was used to collect data from undergraduate students and their studio teachers at an American university. Data involved in-depth interviews, self-reflective journals, and course materials. A typology for how participants were able to master BMG in performance is used to describe their experiences and learning outcomes. The main findings show BMG positively impacted the majority of students in the study. The data reveals enhanced ability for musical expression (e.g. dynamics, phrasing, conveying emotional information), the ability to focus more easily on elements contributing to expressive outcomes, and greater personal confidence to be musically expressive. The study also shows improvements in technical development and performance skills including a perception of a clearer understanding of breathing, better physical coordination and flexibility, enhanced arm movement, improved articulation, feeling centered or grounded, the ability to retain focus under pressure, and the freedom to make artistic choices during musical performance. BMG enhanced students' development of self-awareness which was demonstrated by their ability to find solutions to technical challenges, understand how tension inhibits movement, increase their awareness of movement pattern consequences on pain symptoms, and gain more accurate perceptions of movements. Some participants reported an absence of playing-related pain at the end of the study. All shared a belief in the value of BMG derived from positive personal experiences and observation of improvements in others. Many students displayed characteristics of successful self-regulated learners. Determinants of student success include a positive attitude, consistency of work, realistic expectations, ability to transform problems, willingness to commit sufficient time to the process of change, and positive studio teacher support. BMG also shows promise for inclusion in a therapeutic team-approach for treatment of playing-related pain/injuries. In sum, the study confirms the efficacy of BMG instruction for enhanced technical and performance outcomes in musical settings. Study outcomes are relevant for musicians, educators, and health practitioners in the field of music medicine.en
dc.languageenen
dc.titleBody Mapping: Self-reflective Views of Student Musiciansen
dc.typeThesis Doctoralen
dcterms.accessRightsUNE Greenen
dc.subject.keywordsCreative Arts, Media and Communication Curriculum and Pedagogyen
local.contributor.firstnameHeather Joanen
local.contributor.firstnameVictoren
local.contributor.firstnameTerrenceen
local.contributor.firstnameIngriden
local.subject.for2008130201 Creative Arts, Media and Communication Curriculum and Pedagogyen
local.subject.seo2008929999 Health not elsewhere classifieden
local.subject.seo2008930102 Learner and Learning Processesen
dcterms.RightsStatementCopyright 2010 - Heather Joan Buchananen
dc.date.conferred2011en
local.thesis.degreelevelDoctoralen
local.thesis.degreenameDoctor of Philosophyen
local.contributor.grantorUniversity of New Englanden
local.profile.schoolSchool of Educationen
local.profile.schoolAdministrationen
local.profile.schoolSchool of Educationen
local.profile.emailhbuchan3@une.edu.auen
local.profile.emailvminichi@une.edu.auen
local.profile.emailthays@une.edu.auen
local.profile.emailiharring@une.edu.auen
local.output.categoryT2en
local.record.placeauen
local.record.institutionUniversity of New Englanden
local.identifier.epublicationsrecordune_thesis-20110124-125414en
local.title.subtitleSelf-reflective Views of Student Musiciansen
local.access.fulltextYesen
local.contributor.lastnameBuchananen
local.contributor.lastnameMinichielloen
local.contributor.lastnameHaysen
local.contributor.lastnameHarringtonen
dc.identifier.staffune-id:hbuchan3en
dc.identifier.staffune-id:vminichien
dc.identifier.staffune-id:thaysen
dc.identifier.staffune-id:iharringen
local.profile.orcid0000-0002-1898-4795en
local.profile.roleauthoren
local.profile.rolesupervisoren
local.profile.rolesupervisoren
local.profile.rolesupervisoren
local.identifier.unepublicationidune:9378en
dc.identifier.academiclevelAcademicen
dc.identifier.academiclevelAcademicen
dc.identifier.academiclevelAcademicen
dc.identifier.academiclevelAcademicen
local.title.maintitleBody Mappingen
local.output.categorydescriptionT2 Thesis - Doctorate by Researchen
local.thesis.borndigitalyesen
local.search.authorBuchanan, Heather Joanen
local.search.supervisorMinichiello, Victoren
local.search.supervisorHays, Terrenceen
local.search.supervisorHarrington, Ingriden
local.open.fileurlhttps://rune.une.edu.au/web/retrieve/98488812-6605-4b97-9d4e-b1dc4b42ba72en
local.open.fileurlhttps://rune.une.edu.au/web/retrieve/eb8596c0-a949-4a69-8845-7274bef91f4een
local.uneassociationYesen
local.year.conferred2011en
local.fileurl.openhttps://rune.une.edu.au/web/retrieve/eb8596c0-a949-4a69-8845-7274bef91f4een
local.fileurl.openhttps://rune.une.edu.au/web/retrieve/98488812-6605-4b97-9d4e-b1dc4b42ba72en
local.subject.for2020390101 Creative arts, media and communication curriculum and pedagogyen
local.subject.seo2020160102 Higher educationen
local.codeupdate.date2022-03-04T12:12:00.186en
local.codeupdate.epersoniharring@une.edu.auen
local.codeupdate.finalisedtrueen
Appears in Collections:Thesis Doctoral
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