Please use this identifier to cite or link to this item:
https://hdl.handle.net/1959.11/7349
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Knijff, Jan-Piet | en |
dc.date.accessioned | 2011-05-09T16:02:00Z | - |
dc.date.issued | 2010 | - |
dc.identifier.citation | CrossAccent: Journal of the Association of Lutheran Church Musicians, 18(1), p. 23-28 | en |
dc.identifier.uri | https://hdl.handle.net/1959.11/7349 | - |
dc.description.abstract | Every year on the Feast of the Transfiguration of Our Lord many of us play and/or sing John Mason Neale's "O Wondrous Type! O Vision Fair" (or, a little less poetic and a little less musical, "Oh, Wondrous Image, Vision Fair"). In the twentieth century, the hymn has become associated with the tune Deo Gracias, also known as the Agincourt Hymn. It is found in 'Evangelical Lutheran Worship' (ELW) at 316; in the 'Lutheran Service Book' (LSB) at 413; and in the 'Lutheran Book of Worship' (LBW) at 80. The tune is also used for "O Love, How Deep," a translation of Thomas à Kempis's "O amor quam extaticus," found at ELW 322, LSB 544, and LBW 88. My own experience with the hymn this year inspired me to write this article about it. As has often been the case in this series, the heart of the discussion will be accompaniment settings. | en |
dc.language | en | en |
dc.publisher | Valparaiso University | en |
dc.relation.ispartof | CrossAccent: Journal of the Association of Lutheran Church Musicians | en |
dc.title | Hymns of the Church: O Wondrous Chords! Settings of Deo Gracias in Current Lutheran Hymnals | en |
dc.type | Journal Article | en |
dc.subject.keywords | Musicology and Ethnomusicology | en |
dc.subject.keywords | Christian Studies (incl Biblical Studies and Church History) | en |
dc.subject.keywords | Music Performance | en |
local.contributor.firstname | Jan-Piet | en |
local.subject.for2008 | 220401 Christian Studies (incl Biblical Studies and Church History) | en |
local.subject.for2008 | 190409 Musicology and Ethnomusicology | en |
local.subject.for2008 | 190407 Music Performance | en |
local.subject.seo2008 | 950101 Music | en |
local.subject.seo2008 | 950405 Religious Structures and Ritual | en |
local.profile.school | Music | en |
local.profile.email | jknijff@une.edu.au | en |
local.output.category | C2 | en |
local.record.place | au | en |
local.record.institution | University of New England | en |
local.identifier.epublicationsrecord | une-20110303-14497 | en |
local.publisher.place | United States of America | en |
local.format.startpage | 23 | en |
local.format.endpage | 28 | en |
local.identifier.volume | 18 | en |
local.identifier.issue | 1 | en |
local.title.subtitle | O Wondrous Chords! Settings of Deo Gracias in Current Lutheran Hymnals | en |
local.contributor.lastname | Knijff | en |
dc.identifier.staff | une-id:jknijff | en |
local.profile.role | author | en |
local.identifier.unepublicationid | une:7517 | en |
dc.identifier.academiclevel | Academic | en |
local.title.maintitle | Hymns of the Church | en |
local.output.categorydescription | C2 Non-Refereed Article in a Scholarly Journal | en |
local.relation.url | http://www.alcm.org/publications/cross-accent.php | en |
local.search.author | Knijff, Jan-Piet | en |
local.uneassociation | Unknown | en |
local.year.published | 2010 | en |
Appears in Collections: | Journal Article |
Files in This Item:
File | Description | Size | Format |
---|
Items in Research UNE are protected by copyright, with all rights reserved, unless otherwise indicated.