Please use this identifier to cite or link to this item: https://hdl.handle.net/1959.11/63257
Title: Oscar Moro Abadía & Martin Porr (ed.). 2021. Ontologies of rock art: images, relational approaches, and Indigenous knowledges. Abingdon: Routledge; 978-0-367-33780-3 hardback £120
Contributor(s): Davidson, Iain  (author)orcid 
Publication Date: 2022
DOI: 10.15184/aqy.2022.90
Handle Link: https://hdl.handle.net/1959.11/63257
Abstract: 

This book has a Foreword, Introduction and 20 papers by 48 named contributors. There are 90 figures and one table. Despite being about 'Indigenous knowledges', only two of the papers have authors who identify as Indigenous. There are 18 authors from Australia, nine from the USA, six from Canada, and one from South Africa (all countries with significant Indigenous populations), six from England, three from France, two from Spain and one each from three other countries. Nowadays, how can a book that addresses 'Indigenous knowledges' and has majority contributions from three colonised countries have only two papers with Indigenous authors?

Publication Type: Review
Source of Publication: Antiquity, v.96 (389)
Publisher: Cambridge University Press
Place of Publication: United Kingdom
ISSN: 1745-1744
0003-598X
Fields of Research (FoR) 2020: 4301 Archaeology
Socio-Economic Objective (SEO) 2020: tbd
HERDC Category Description: D3 Review of Single Work
Appears in Collections:Journal Article
School of Humanities, Arts and Social Sciences

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