The Interpretation of Unusual Mensuration Signs in the Notation of the 'Ars subtilior'

Title
The Interpretation of Unusual Mensuration Signs in the Notation of the 'Ars subtilior'
Publication Date
2010
Author(s)
Stoessel, Jason
( author )
OrcID: https://orcid.org/0000-0001-7873-2664
Email: jstoess2@une.edu.au
UNE Id une-id:jstoess2
Editor
Editor(s): Yolanda Plumley, Anne Stone
Type of document
Book Chapter
Language
en
Entity Type
Publication
Publisher
Brepols Publishers
Place of publication
Turnhout, Belgium
Edition
1
Series
Epitome musical
UNE publication id
une:6323
Abstract
Music researchers have for some time regarded Johannes Ciconia's 'Sus une fontayne' as an extraordinary example of musical cornposition from the years around 1400. For more than thirty years now we have known that this polyphonic virelai contains citations of the text and music of three compositions of the late fourteenth-century composer Philipoctus de Caserta. Recently, several scholars including Yolanda Plumley and Anne Stone have offered significant contributions to the discussion of citations in 'Sus une fontayne. Plumley investigates the process of intertextuality in this and several other works from the fourteenth century as a means of contextualising composers and their activity, But for the purposes of this paper, I focus on Stone's recent contribution to the scholarship surrounding 'Sus une fontayne'.
Link
Citation
A Late Medieval Songbook and its Context: New Perspectives on the Chantilly Codex (Bibliothèque du Château de Chantilly, Ms. 564), p. 179-202
ISBN
9782503515984
Start page
179
End page
202

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