Please use this identifier to cite or link to this item: https://hdl.handle.net/1959.11/6166
Title: The Interpretation of Unusual Mensuration Signs in the Notation of the 'Ars subtilior'
Contributor(s): Stoessel, Jason  (author)orcid 
Publication Date: 2010
Handle Link: https://hdl.handle.net/1959.11/6166
Abstract: Music researchers have for some time regarded Johannes Ciconia's 'Sus une fontayne' as an extraordinary example of musical cornposition from the years around 1400. For more than thirty years now we have known that this polyphonic virelai contains citations of the text and music of three compositions of the late fourteenth-century composer Philipoctus de Caserta. Recently, several scholars including Yolanda Plumley and Anne Stone have offered significant contributions to the discussion of citations in 'Sus une fontayne. Plumley investigates the process of intertextuality in this and several other works from the fourteenth century as a means of contextualising composers and their activity, But for the purposes of this paper, I focus on Stone's recent contribution to the scholarship surrounding 'Sus une fontayne'.
Publication Type: Book Chapter
Source of Publication: A Late Medieval Songbook and its Context: New Perspectives on the Chantilly Codex (Bibliothèque du Château de Chantilly, Ms. 564), p. 179-202
Publisher: Brepols Publishers
Place of Publication: Turnhout, Belgium
ISBN: 9782503515984
Field of Research (FOR): 210307 European History (excl British, Classical Greek and Roman)
190409 Musicology and Ethnomusicology
Socio-Economic Objective (SEO): 950101 Music
950504 Understanding Europes Past
HERDC Category Description: B1 Chapter in a Scholarly Book
Other Links: http://www.brepols.net/Pages/ShowProduct.aspx?prod_id=IS-9782503515984-1
Series Name: Epitome musical
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Editor: Editor(s): Yolanda Plumley, Anne Stone
Appears in Collections:Book Chapter
School of Humanities, Arts and Social Sciences

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