Please use this identifier to cite or link to this item: https://hdl.handle.net/1959.11/59819
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dc.contributor.authorWilkins, Kimen
dc.contributor.authorMoss-Wellington, Wyatten
local.source.editorEditor(s): Kim Wilkins, Wyatt Moss-Wellingtonen
dc.date.accessioned2024-05-24T00:50:23Z-
dc.date.available2024-05-24T00:50:23Z-
dc.date.issued2019-05-
dc.identifier.citationReFocus: The Films of Spike Jonzeen
dc.identifier.isbn9781474447645en
dc.identifier.isbn9781474447638en
dc.identifier.isbn9781474447621en
dc.identifier.isbn9781474447652en
dc.identifier.urihttps://hdl.handle.net/1959.11/59819-
dc.description.abstract<p>Examines how the work of American filmmaker Spike Jonze crosses boundaries between genre entertainment and experimentalismRead the blog post An interview with Wyatt Moss-Wellington, author of 'Narrative Humanism' and co-editor of 'ReFocus: The Films of Spike Jonze'Surveys the breadth of Jonze's work as a director and screenwriter of features, shorts and music videosConsiders Jonze's oeuvre in both its industrial and philosophical contexts, with a focus on film production, psychology and identity, posthumanism and gender studiesConnects Jonze to other relevant filmmakers, American political and cultural events and institutionsReFocus: The Films of Spike Jonze is the first collection of essays on this important and original contemporary filmmaker. It looks at his ground-breaking work in both features and short forms, exploring the impact of his filmmaking across a range of philosophical and cultural discussions.Each of Jonze's feature films, from Being John Malkovich (1999) to Her (2013), is discussed at length, focusing on issues of authorship, narration, genre and adaptation. As well as the textual aspects of Jonze's feature films, the contributors consider his work in music videos and shorts - investigating his position as a filmmaker on the blurred boundaries between studio and independent modes of production."</p>en
dc.languageenen
dc.publisherEdinburgh University Pressen
dc.relation.ispartofReFocus: The Films of Spike Jonzeen
dc.titleReFocus: The Films of Spike Jonzeen
dc.typeBooken
local.contributor.firstnameKimen
local.contributor.firstnameWyatten
local.profile.schoolSchool of Humanities, Arts and Social Sciencesen
local.profile.emailwmosswel@une.edu.auen
local.output.categoryA3en
local.record.placeauen
local.record.institutionUniversity of New Englanden
local.publisher.placeUnited Kingdomen
local.format.pages248en
local.title.subtitleThe Films of Spike Jonzeen
local.contributor.lastnameWilkinsen
local.contributor.lastnameMoss-Wellingtonen
dc.identifier.staffune-id:wmosswelen
local.profile.orcid0000-0002-6799-4439en
local.profile.roleeditoren
local.profile.roleeditoren
local.identifier.unepublicationidune:1959.11/59819en
dc.identifier.academiclevelAcademicen
dc.identifier.academiclevelAcademicen
local.title.maintitleReFocusen
local.output.categorydescriptionA3 Book - Editeden
local.relation.urlhttps://edinburghuniversitypress.com/book-refocus-the-films-of-spike-jonze.htmlen
local.relation.urlhttps://www.degruyter.com/document/doi/10.1515/9781474447638/html#contentsen
local.search.authorWilkins, Kimen
local.search.authorMoss-Wellington, Wyatten
local.uneassociationNoen
local.atsiresearchNoen
local.isrevisionNoen
local.sensitive.culturalNoen
local.year.published2019en
local.subject.for2020470214 Screen and media cultureen
local.subject.for2020360505 Screen mediaen
local.subject.for2020470214 Screen and media cultureen
local.codeupdate.date2024-08-01T11:06:26.010en
local.codeupdate.epersonwmosswel@une.edu.auen
local.codeupdate.finalisedtrueen
local.original.for20203605 Screen and digital mediaen
local.profile.affiliationtypeExternal Affiliationen
local.profile.affiliationtypeExternal Affiliationen
local.relation.worldcathttps://search.worldcat.org/title/1312727034en
local.date.moved2024-06-13en
Appears in Collections:Book
School of Humanities, Arts and Social Sciences
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