Art, sign, and representation

Abstract

<p>This chapter addresses questions about the emergence of art, sign, and representation, showing what these categories mean as applied to the archaeological record and how evidence of them may relate to the evolution of human cognitive capacities. It goes beyond the Eurasian Upper Paleolithic to consider marked or decorated objects from signicantly older sites associated with Anatomically Modern Humans in Africa and Indonesia, Neanderthals in Europe, and Homo erectus in Trinil, Java. The materials evidence a range of graphic production across signicant space and time. They indicate the emergence of graphic expression and its role in human evolution is much more complex than traditional Eurocentric model, as well as more recent models, allow. The review points to problems with the current epistemology of symbolic evolution and emphasizes how the use of "art" and other traditional artifact classes bias interpretations of prehistoric behaviors and models of when and why symbolling emerged.</p>