Please use this identifier to cite or link to this item:
https://hdl.handle.net/1959.11/55474
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DC Field | Value | Language |
---|---|---|
dc.contributor.author | Scully, Richard | en |
dc.date.accessioned | 2023-07-27T04:32:15Z | - |
dc.date.available | 2023-07-27T04:32:15Z | - |
dc.date.issued | 2022 | - |
dc.identifier.citation | Ridiculosa, v.29, p. 93-114 | en |
dc.identifier.issn | 1274-6711 | en |
dc.identifier.uri | https://hdl.handle.net/1959.11/55474 | - |
dc.description.abstract | This paper makes a case for a reimagining of Victorian-Edwardian cartooning (c.1820s-1910s) as ‘epithetrical’ in nature. The theatre was an early inspiration for John ‘HB’ Doyle, who effectively established the Victorian form of graphic satire in the 1820s and ‘30s. His lead was followed by the cartoonists of Punch, and its rivals Fun, Judy, The Tomahawk, and others, many of whom were directly or indirectly connected to the stage culture of the day. Working alongside playwrights and critics, cartoonists such as Matthew Somerville Morgan (1837-1890), Marie Duval (1847-1890), and Sir Bernard Partridge (1861-1945) were themselves theatre professionals; Punch’s Sir John Tenniel (1820-1914) an amateur actor; and their contemporaries regularly drew upon theatrical imagery to make their cartoons intelligible to a broad readership. | en |
dc.language | en | en |
dc.publisher | Equipe Interdisciplinaire de Recherche sur l'Image Satirique | en |
dc.relation.ispartof | Ridiculosa | en |
dc.title | Cartooning as 'Epitheatre': The Case of Victorian and Edwardian London | en |
dc.type | Journal Article | en |
local.contributor.firstname | Richard | en |
local.profile.school | School of Humanities, Arts and Social Sciences | en |
local.profile.email | rscully@une.edu.au | en |
local.output.category | C1 | en |
local.record.place | au | en |
local.record.institution | University of New England | en |
local.publisher.place | France | en |
local.format.startpage | 93 | en |
local.format.endpage | 114 | en |
local.peerreviewed | Yes | en |
local.identifier.volume | 29 | en |
local.title.subtitle | The Case of Victorian and Edwardian London | en |
local.contributor.lastname | Scully | en |
dc.identifier.staff | une-id:rscully | en |
local.profile.orcid | 0000-0003-4012-4991 | en |
local.profile.role | author | en |
local.identifier.unepublicationid | une:1959.11/55474 | en |
dc.identifier.academiclevel | Academic | en |
local.title.maintitle | Cartooning as 'Epitheatre' | en |
local.output.categorydescription | C1 Refereed Article in a Scholarly Journal | en |
local.relation.url | https://www.eiris.eu/non-classe/parution-de-ridiculosa-29/ | en |
local.search.author | Scully, Richard | en |
local.uneassociation | Yes | en |
local.atsiresearch | No | en |
local.sensitive.cultural | No | en |
local.year.published | 2022 | en |
local.fileurl.closedpublished | https://rune.une.edu.au/web/retrieve/b3d82993-a99d-4715-8d57-9f116f9e677d | en |
local.subject.for2020 | 430304 British history | en |
local.subject.for2020 | 360102 Art history | en |
local.subject.for2020 | 470105 Journalism studies | en |
local.subject.seo2020 | 280113 Expanding knowledge in history, heritage and archaeology | en |
local.subject.seo2020 | 280122 Expanding knowledge in creative arts and writing studies | en |
local.subject.seo2020 | 130205 Visual communication | en |
local.profile.affiliationtype | UNE Affiliation | en |
Appears in Collections: | Journal Article School of Humanities, Arts and Social Sciences |
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