Please use this identifier to cite or link to this item: https://hdl.handle.net/1959.11/55474
Full metadata record
DC FieldValueLanguage
dc.contributor.authorScully, Richarden
dc.date.accessioned2023-07-27T04:32:15Z-
dc.date.available2023-07-27T04:32:15Z-
dc.date.issued2022-
dc.identifier.citationRidiculosa, v.29, p. 93-114en
dc.identifier.issn1274-6711en
dc.identifier.urihttps://hdl.handle.net/1959.11/55474-
dc.description.abstractThis paper makes a case for a reimagining of Victorian-Edwardian cartooning (c.1820s-1910s) as ‘epithetrical’ in nature. The theatre was an early inspiration for John ‘HB’ Doyle, who effectively established the Victorian form of graphic satire in the 1820s and ‘30s. His lead was followed by the cartoonists of Punch, and its rivals Fun, Judy, The Tomahawk, and others, many of whom were directly or indirectly connected to the stage culture of the day. Working alongside playwrights and critics, cartoonists such as Matthew Somerville Morgan (1837-1890), Marie Duval (1847-1890), and Sir Bernard Partridge (1861-1945) were themselves theatre professionals; Punch’s Sir John Tenniel (1820-1914) an amateur actor; and their contemporaries regularly drew upon theatrical imagery to make their cartoons intelligible to a broad readership.en
dc.languageenen
dc.publisherEquipe Interdisciplinaire de Recherche sur l'Image Satiriqueen
dc.relation.ispartofRidiculosaen
dc.titleCartooning as 'Epitheatre': The Case of Victorian and Edwardian Londonen
dc.typeJournal Articleen
local.contributor.firstnameRicharden
local.profile.schoolSchool of Humanities, Arts and Social Sciencesen
local.profile.emailrscully@une.edu.auen
local.output.categoryC1en
local.record.placeauen
local.record.institutionUniversity of New Englanden
local.publisher.placeFranceen
local.format.startpage93en
local.format.endpage114en
local.peerreviewedYesen
local.identifier.volume29en
local.title.subtitleThe Case of Victorian and Edwardian Londonen
local.contributor.lastnameScullyen
dc.identifier.staffune-id:rscullyen
local.profile.orcid0000-0003-4012-4991en
local.profile.roleauthoren
local.identifier.unepublicationidune:1959.11/55474en
dc.identifier.academiclevelAcademicen
local.title.maintitleCartooning as 'Epitheatre'en
local.output.categorydescriptionC1 Refereed Article in a Scholarly Journalen
local.relation.urlhttps://www.eiris.eu/non-classe/parution-de-ridiculosa-29/en
local.search.authorScully, Richarden
local.uneassociationYesen
local.atsiresearchNoen
local.sensitive.culturalNoen
local.year.published2022en
local.fileurl.closedpublishedhttps://rune.une.edu.au/web/retrieve/b3d82993-a99d-4715-8d57-9f116f9e677den
local.subject.for2020430304 British historyen
local.subject.for2020360102 Art historyen
local.subject.for2020470105 Journalism studiesen
local.subject.seo2020280113 Expanding knowledge in history, heritage and archaeologyen
local.subject.seo2020280122 Expanding knowledge in creative arts and writing studiesen
local.subject.seo2020130205 Visual communicationen
local.profile.affiliationtypeUNE Affiliationen
Appears in Collections:Journal Article
School of Humanities, Arts and Social Sciences
Files in This Item:
1 files
File SizeFormat 
Show simple item record

Page view(s)

368
checked on May 19, 2024

Download(s)

6
checked on May 19, 2024
Google Media

Google ScholarTM

Check


Items in Research UNE are protected by copyright, with all rights reserved, unless otherwise indicated.