Please use this identifier to cite or link to this item:
https://hdl.handle.net/1959.11/53534
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | McClelland, Gwyn | en |
dc.date.accessioned | 2022-10-27T23:21:36Z | - |
dc.date.available | 2022-10-27T23:21:36Z | - |
dc.date.issued | 2023 | - |
dc.identifier.citation | Journal of Cultural Economy, p. 751-767 | en |
dc.identifier.issn | 1753-0369 | en |
dc.identifier.issn | 1753-0350 | en |
dc.identifier.uri | https://hdl.handle.net/1959.11/53534 | - |
dc.description.abstract | <p>After the 1945 atomic bombing of Nagasaki, the ruined Urakami Cathedral, situated prominently on a hilltop close to ground zero, became an iconic site. It represented the rupture experienced by a totally devastated community and landscape in an irradiated environment at the end of World War II. Yet, beginning in 1958, the ruins of the building were razed and the cathedral reconstructed – an act that has remained controversial in the Japanese public sphere, not least due to partial reliance on American funding. This article examines the competing claims of value surrounding these Cathedral ruins and their erasure among the Catholic community and the non-Catholic population of Nagasaki and the politics of patronage that this involved. It draws on interviews to access the voices of atomic bombing survivors in the Catholic community, marginalised in the Japanese public discourse. These give insight into an alternative communal understanding of the cathedral tied into a much older narrative of persecution, poverty, resistance, and renewal. I argue that different perspectives on the value of the Cathedral and its ruins reveal the social rupture foundational to and concomitant with competing value claims, and their interrelated political, economic, and religious dynamics.</p> | en |
dc.language | en | en |
dc.publisher | Routledge | en |
dc.relation.ispartof | Journal of Cultural Economy | en |
dc.title | Valuing the Urakami Cathedral after the atomic bombing: fundraising and social rupture in Nagasaki | en |
dc.type | Journal Article | en |
dc.identifier.doi | 10.1080/17530350.2022.2120052 | en |
local.contributor.firstname | Gwyn | en |
local.profile.school | School of Humanities, Arts and Social Sciences | en |
local.profile.email | gmcclell@une.edu.au | en |
local.output.category | C1 | en |
local.record.place | au | en |
local.record.institution | University of New England | en |
local.publisher.place | United Kingdom | en |
local.format.startpage | 751 | en |
local.format.endpage | 767 | en |
local.peerreviewed | Yes | en |
local.title.subtitle | fundraising and social rupture in Nagasaki | en |
local.contributor.lastname | McClelland | en |
dc.identifier.staff | une-id:gmcclell | en |
local.profile.orcid | 0000-0002-6914-2387 | en |
local.profile.role | author | en |
local.identifier.unepublicationid | une:1959.11/53534 | en |
local.date.onlineversion | 2022-10-12 | - |
dc.identifier.academiclevel | Academic | en |
local.title.maintitle | Valuing the Urakami Cathedral after the atomic bombing | en |
local.output.categorydescription | C1 Refereed Article in a Scholarly Journal | en |
local.search.author | McClelland, Gwyn | en |
local.uneassociation | Yes | en |
local.atsiresearch | No | en |
local.sensitive.cultural | No | en |
local.year.available | 2022 | en |
local.year.published | 2023 | en |
local.fileurl.closedpublished | https://rune.une.edu.au/web/retrieve/450eecb2-4c5f-4236-b0a2-0e34f4330268 | en |
local.subject.for2020 | 430301 Asian history | en |
local.subject.for2020 | 430203 Cultural heritage management (incl. world heritage) | en |
local.subject.for2020 | 440404 Political economy and social change | en |
local.subject.seo2020 | 130501 Religion and society | en |
local.profile.affiliationtype | Unknown | en |
Appears in Collections: | Journal Article School of Humanities, Arts and Social Sciences |
Files in This Item:
File | Description | Size | Format |
---|
Page view(s)
306
checked on Apr 2, 2023
Download(s)
2
checked on Apr 2, 2023
Items in Research UNE are protected by copyright, with all rights reserved, unless otherwise indicated.