Please use this identifier to cite or link to this item:
https://hdl.handle.net/1959.11/32410
Full metadata record
DC Field | Value | Language |
---|---|---|
dc.contributor.author | Scully, Richard | en |
dc.date.accessioned | 2021-12-06T04:45:01Z | - |
dc.date.available | 2021-12-06T04:45:01Z | - |
dc.date.issued | 2016 | - |
dc.identifier.citation | Victorian Periodicals Review, 49(4), p. 729-730 | en |
dc.identifier.issn | 1712-526X | en |
dc.identifier.issn | 0709-4698 | en |
dc.identifier.uri | https://hdl.handle.net/1959.11/32410 | - |
dc.description.abstract | The authors of this tremendous little volume have done a great service to the scholarship on Victorian comic art and the satirical press in a key non-Metropolitan context. The excessive scholarly and popular focus on London-based satirical art is something that has only recently come under scrutiny. Henry Miller, in “The Problem with Punch” (<i>Historical Research</i> 82, no. 216 [2009]: 285–302), was arguably the first to take aim at how scholars have largely ignored provincial Britain (as did Punch itself), despite the flourishing and strikingly original work that appeared in comic periodicals published in centers like Birmingham, Liverpool, and Norwich. What Miller hinted at—that Birmingham was probably the most important of these locations—is now affirmed by the good work of Roberts and Ward. | en |
dc.language | en | en |
dc.publisher | Johns Hopkins University Press | en |
dc.relation.ispartof | Victorian Periodicals Review | en |
dc.title | Stephen Roberts and Roger Ward, Mocking Men of Power: Comic Art in Birmingham, 1861–1911 (Birmingham: Birmingham Biographies, 2014), pp. iv+148, £8.99 paperback | en |
dc.type | Review | en |
dc.identifier.doi | 10.1353/vpr.2016.0050 | en |
local.contributor.firstname | Richard | en |
local.profile.school | School of Humanities, Arts and Social Sciences | en |
local.profile.email | rscully@une.edu.au | en |
local.output.category | D3 | en |
local.record.place | au | en |
local.record.institution | University of New England | en |
local.publisher.place | United States of America | en |
local.format.startpage | 729 | en |
local.format.endpage | 730 | en |
local.identifier.volume | 49 | en |
local.identifier.issue | 4 | en |
local.title.subtitle | Comic Art in Birmingham, 1861–1911 (Birmingham: Birmingham Biographies, 2014), pp. iv+148, £8.99 paperback | en |
local.contributor.lastname | Scully | en |
dc.identifier.staff | une-id:rscully | en |
local.profile.orcid | 0000-0003-4012-4991 | en |
local.profile.role | author | en |
local.identifier.unepublicationid | une:1959.11/32410 | en |
dc.identifier.academiclevel | Academic | en |
local.title.maintitle | Stephen Roberts and Roger Ward, Mocking Men of Power | en |
local.output.categorydescription | D3 Review of Single Work | en |
local.search.author | Scully, Richard | en |
local.uneassociation | Yes | en |
local.atsiresearch | No | en |
local.sensitive.cultural | No | en |
local.identifier.wosid | 000391083100013 | en |
local.year.published | 2016 | en |
local.fileurl.closedpublished | https://rune.une.edu.au/web/retrieve/80d52198-e52d-4c77-95ac-80c763a0e40c | en |
local.subject.for2020 | 430304 British history | en |
local.subject.seo2020 | 280113 Expanding knowledge in history, heritage and archaeology | en |
Appears in Collections: | Review School of Humanities, Arts and Social Sciences |
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