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This article examines the depiction of George VI in cartoons. These important hybrid journalistic/artistic forms reflect a subtle shift in understandings of the monarchy, from emphasising the individual personality of the incumbent (e.g. Edward VIII), towards a focus on the crown as an impersonal institution, symbolic of Britishness. Prince Albert’s low profile prior to his accession continued as a vehicle for the new manner of imagining the monarch in cartooning. Symbols of office, national and imperial allegories of monarchy, became more common in cartoons than depictions of George’s own features. Comparison to non-British cartoons underscores the findings of the research. |
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