Please use this identifier to cite or link to this item:
https://hdl.handle.net/1959.11/32214
Title: | George VI in cartoons: the king vanishes | Contributor(s): | Scully, Richard (author) | Publication Date: | 2020 | Early Online Version: | 2020-02-04 | DOI: | 10.1080/13619462.2020.1722105 | Handle Link: | https://hdl.handle.net/1959.11/32214 | Abstract: | This article examines the depiction of George VI in cartoons. These important hybrid journalistic/artistic forms reflect a subtle shift in understandings of the monarchy, from emphasising the individual personality of the incumbent (e.g. Edward VIII), towards a focus on the crown as an impersonal institution, symbolic of Britishness. Prince Albert’s low profile prior to his accession continued as a vehicle for the new manner of imagining the monarch in cartooning. Symbols of office, national and imperial allegories of monarchy, became more common in cartoons than depictions of George’s own features. Comparison to non-British cartoons underscores the findings of the research. | Publication Type: | Journal Article | Source of Publication: | Contemporary British History, 34(3), p. 358-388 | Publisher: | Routledge | Place of Publication: | United Kingdom | ISSN: | 1743-7997 1361-9462 |
Fields of Research (FoR) 2020: | 430304 British history | Socio-Economic Objective (SEO) 2020: | 280113 Expanding knowledge in history, heritage and archaeology | Peer Reviewed: | Yes | HERDC Category Description: | C1 Refereed Article in a Scholarly Journal |
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Appears in Collections: | Journal Article School of Humanities, Arts and Social Sciences |
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