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https://hdl.handle.net/1959.11/31459
Title: | Billy's Swan | Contributor(s): | Smith, Paul (creator) | Publication Date: | 2017-11-07 | Handle Link: | https://hdl.handle.net/1959.11/31459 | Related Research Outputs: | https://youtu.be/6TkbEGpxIa0 | Abstract: | Billy’s Swan is an electroacoustic work which assesses the fantastic escapism that dance can offer the young queer male identity. The audio adopts routine melodic fragments from Tchaikovsky’s ballet score, Swan Lake, and sets these against expressive digital sounds. The fantastic element is symbolised by a sprawling climax of bells chimes (sounds with queer potential) that develop as the piece progresses and the fragments of ballet score fade out. The piece uses musical traditions of arrangement and transcription coupled with the social and political meanings of different sound worlds to consider queer identities. | Publication Type: | Original Creative Works - Other | Publisher: | May Space | Place of Publication: | Sydney, Australia | Fields of Research (FoR) 2008: | 190406 Music Composition | Fields of Research (FoR) 2020: | 360302 Music composition and improvisation | Socio-Economic Objective (SEO) 2020: | 130102 Music 130103 The creative arts |
Format: | 5 minutes | HERDC Category Description: | Z5 Original creative works - Other | Publisher/associated links: | https://www.australianmusiccentre.com.au/work/smith-paul-billy-s-swan https://www.mayspace.com.au/works/billys-swan-animationvideo |
Description: | First exhibited with animation, Billy's Swan, at MaySpace Gallery 7-24 November, 2017 | Type of Work: | Electroacoustic digital recording |
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Appears in Collections: | Original Creative Works - Other School of Humanities, Arts and Social Sciences |
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