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The Intersection of Anglo-French Culture and Angevin Illumination in a Fourteenth-Century Ars Nova Miscellany: A New Dating of Biblioteca Apostolica Vaticana, Barb. Lat. 307 and Sankt Paul Im Lavanttal, Archiv Des Benediktinerstiftes, Ms. 135/6 |
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Editor(s): Marco Buonocore, Eleonora Giampiccolo, Timothy Janz, Antonio Manfredi, Claudia Montuschi, Cesare Pasini, Ambrogio M Piazzoni and Delio V Proverbio |
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Biblioteca Apostolica Vaticana |
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Citta del Vaticano, Italy |
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| Abstract |
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The aim of the present article is to re-examine the Barberini music theory miscellany now divided between the libraries of the Vatican and the southern Austrian abbey of Sankt Paul im Lavanttal. We take this opportunity to provide a fresh appraisal of this unusual manuscript’s codicological, paleographical, musico-theoretic and art-historic features with a view to shedding new light on its origin, date and earliest function. A consideration of the manuscript as a physical object and its study from a multidisciplinary viewpoint has led to a better understanding of all these features. The revised dating we suggest, moreover, allows new insights in the spread of Anglo-French music culture in fourteenth-century Italy. |
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Miscellanea Bibliothecae Apostolicae Vaticanae XXV, v.25, p. 283-331 |
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