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https://hdl.handle.net/1959.11/27674
Title: | The Anne Boleyn Music Book (Royal College of Music MS 1070). Facsimile with introduction by Thomas Schmidt, David Skinner, with Katja Airaksinen-Monier. (DIAMM facsimiles, 6.) Oxford: DIAMM Publications, 2017. [Pref., p. ii; introd., p. 1–32; bibliog., p. 33–36; appendices, p. 37–54; 269 color plates. ISBN 978-1-907647-06-2 (hardback). £70.] | Contributor(s): | Stoessel, Jason (author) | Publication Date: | 2019-06 | DOI: | 10.1353/not.2019.0052 | Handle Link: | https://hdl.handle.net/1959.11/27674 | Abstract: | Manuscript 1070 of the Royal College of Music (hereinafter MS 1070) has had a colorful reception in modern musicology. Half a century ago, Edward Lowinsky (“MS 1070 of the Royal College of Music in London,” Proceedings of the Royal Musical Association 96 [1969]: 1–28) proposed an elaborate narrative of court musician Mark Smeaton (ca. 1512–1536) copying MS 1070 for Anne Boleyn (ca. 1501–1536) in the last years of her life as the illfated second queen of King Henry VIII. | Publication Type: | Review | Source of Publication: | Notes, 75(4), p. 697-701 | Publisher: | Music Library Association | Place of Publication: | United States of America | ISSN: | 1534-150X 0027-4380 |
Fields of Research (FoR) 2008: | 190409 Musicology and Ethnomusicology | Fields of Research (FoR) 2020: | 360306 Musicology and ethnomusicology | Socio-Economic Objective (SEO) 2008: | 950101 Music | Socio-Economic Objective (SEO) 2020: | 130102 Music 130704 Understanding Europe’s past |
HERDC Category Description: | D3 Review of Single Work |
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Appears in Collections: | Review School of Humanities, Arts and Social Sciences |
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