Please use this identifier to cite or link to this item: https://hdl.handle.net/1959.11/19259
Title: The Hand in Art: Bronzino's Allegory of Venus and Cupid
Contributor(s): Lazzeri, Davide (author); Albury, William Randall  (author); Lippi, Donatella (author); Weisz, George M  (author)
Publication Date: 2015
DOI: 10.1016/j.jhsa.2015.05.005
Handle Link: https://hdl.handle.net/1959.11/19259
Abstract: Hand deformities, congenital or acquired, appear in many Renaissance paintings. One such work is the painting now entitled 'An Allegory of Venus and Cupid', by Agnolo di Cosimo Toni (1503-1572), better known as Bronzino. Bronzino was one of the major painters of the late Renaissance period. An exponent of Mannerism, a style of art that featured exaggerated colors, figures in unusual postures, and the use of sometimes bizarre images, Bronzino became the official court painter of Grand Duke Cosimo I de' Medici, the ruler of Tuscany from 1537 until his death in 1574.
Publication Type: Journal Article
Source of Publication: Journal of Hand Surgery, 40(8), p. 1664-1665
Publisher: Elsevier Inc
Place of Publication: United States of America
ISSN: 1531-6564
0363-5023
Fields of Research (FoR) 2008: 210307 European History (excl. British, Classical Greek and Roman)
Fields of Research (FoR) 2020: 430308 European history (excl. British, classical Greek and Roman)
Socio-Economic Objective (SEO) 2008: 970121 Expanding Knowledge in History and Archaeology
Socio-Economic Objective (SEO) 2020: 280113 Expanding knowledge in history, heritage and archaeology
280114 Expanding knowledge in Indigenous studies
Peer Reviewed: Yes
HERDC Category Description: C1 Refereed Article in a Scholarly Journal
Appears in Collections:Journal Article

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