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https://hdl.handle.net/1959.11/18726
Title: | The Foundations of the Anglo-American Tradition of Political Satire and Comic Art: The Eighteenth and Nineteenth Centuries | Contributor(s): | Scully, Richard (author) | Publication Date: | 2015 | Handle Link: | https://hdl.handle.net/1959.11/18726 | Abstract: | Historians of political cartoons (and indeed, historians more generally) are accustomed to working within defined national traditions. Full-length histories and collections of political cartoons are more often than not focused on the political history of important nation-states (Dewey, 2007; Hess and Northrop, 2013; Desbarats and Mosher, 1979; Lindsay, 1979); exhibitions of political cartoons are likewise largely given-over to highlighting the importance of national politics and national context (Batchelor, Lewisohn and Myrone, eds, 2010); and relatively few thematic histories exist that try to take a transnational approach (Harder and Mittler, eds, 2013; Robbins, 2013: 398-403; Dyrenfurth and Quartly, 2009), or examine the way cartoonists of all nations approached a particular issue or issues (Bryant, 2005; 2006; 2008 and 2009). In many ways, the national focus is an intuitive approach, given political cartoons and graphic satire are most often constructed in response to matters of national (but also local, and international) importance. Many excellent studies have also sought to show how cartoons have been absolutely intrinsic to the creation of national identities (e.g. Dewey, 2007; Hess and Northrop, 2013; Desbarats and Mosher, 1979; Lindsay, 1979), and one cannot fault these for their rigour, their choice of subject-matter, or their focus. While certainly valuable in their own right, therefore, such nationally-focused studies are also by definition narrowly-focused; and neglect developments that permeated and transcended national borders. They often ignore or downplay significant cross-fertilization between cartoonists of different nationalities, or. -- more critically -- the transnational movement of cartoonists from one context to another (and sometimes back again). Transnational approaches have been extremely revealing and useful in breaking new ground in other fields (e.g. Grant, Levine, and Trentmann, eds, 2007), especially where the norms and customs of particular fields are well-established and entrenched (and therefore limited in what new insights they can reveal). | Publication Type: | Journal Article | Grant Details: | ARC/DE130101789 | Source of Publication: | International Journal of Comic Art, 17(2), p. 98-132 | Publisher: | John A Lent, Ed & Pub | Place of Publication: | United States of America | ISSN: | 1531-6793 | Fields of Research (FoR) 2008: | 210312 North American History 219999 History and Archaeology not elsewhere classified 210305 British History |
Fields of Research (FoR) 2020: | 430321 North American history 439999 Other history, heritage and archaeology not elsewhere classified 430304 British history |
Socio-Economic Objective (SEO) 2008: | 950599 Understanding Past Societies not elsewhere classified 970121 Expanding Knowledge in History and Archaeology 970120 Expanding Knowledge in Language, Communication and Culture |
Socio-Economic Objective (SEO) 2020: | 280114 Expanding knowledge in Indigenous studies 280113 Expanding knowledge in history, heritage and archaeology 280116 Expanding knowledge in language, communication and culture |
Peer Reviewed: | Yes | HERDC Category Description: | C1 Refereed Article in a Scholarly Journal | Publisher/associated links: | http://ijoca.blogspot.com.au/2016/02/international-journal-of-comic-art-vol.html |
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Appears in Collections: | Journal Article School of Humanities, Arts and Social Sciences |
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