Please use this identifier to cite or link to this item:
https://hdl.handle.net/1959.11/13192
Title: | From music tracks to Google maps: Who owns computer-generated works? | Contributor(s): | Perry, Mark (author) ; Margoni, Thomas (author) | Publication Date: | 2010 | DOI: | 10.1016/j.clsr.2010.09.005 | Handle Link: | https://hdl.handle.net/1959.11/13192 | Abstract: | Increasingly the digital content used in everyday life has little or no human intervention in its creation. Typically, when such content is delivered to consumers it comes with attached claims of copyright. However, depending on the jurisdiction, approaches to ownership of computer-generated works vary from legislated to uncertain. In this paper we look at the various approaches taken by the common law, such as in Canada, and the legislative approach taken in the United Kingdom. The options for how computer-generated works may be treated and suggestions for their best placement in copyright are discussed. | Publication Type: | Journal Article | Source of Publication: | Computer Law & Security Review, 26(6), p. 621-629 | Publisher: | Elsevier Advanced Technology | Place of Publication: | United Kingdom | ISSN: | 2212-4748 2212-473X |
Fields of Research (FoR) 2008: | 180115 Intellectual Property Law 080399 Computer Software not elsewhere classified |
Socio-Economic Objective (SEO) 2008: | 949999 Law, Politics and Community Services not elsewhere classified | Peer Reviewed: | Yes | HERDC Category Description: | C1 Refereed Article in a Scholarly Journal |
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Appears in Collections: | Journal Article School of Law |
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