Please use this identifier to cite or link to this item:
https://hdl.handle.net/1959.11/11833
Title: | Tracing bodylines: the body in feminist poststructural research | Contributor(s): | Somerville, Margaret Jean (author) | Publication Date: | 2004 | DOI: | 10.1080/0951839032000150220 | Handle Link: | https://hdl.handle.net/1959.11/11833 | Abstract: | This paper traces body lines in feminist poststructural research by identifying the conditions under which research into the lived body can be brought into discursive relation with contemporary theoretical formulations of the body. It begins by identifying the erasure of the corporeal body in the somatophobia of essentialism and the exclusive focus of poststructural research on the constitution of bodies in language. Potential methodologies for researching the lived body are suggested and the problems of phenomenological research identified. The theoretical conditions, methodological gestures, and analytical strategies for researching the body in body/place relations are explored in relation to the author's own work in Body/landscape journals (Somerville, 1999 ) and the work of other Australian researchers. These are brought together in relation to a small sample of the author's current research into safe bodies in the mining industry. | Publication Type: | Journal Article | Source of Publication: | International Journal of Qualitative Studies in Education, 17(1), p. 47-63 | Publisher: | Routledge | Place of Publication: | United States of America | ISSN: | 1366-5898 0951-8398 |
Fields of Research (FoR) 2008: | 130308 Gender, Sexuality and Education | Socio-Economic Objective (SEO) 2008: | 939904 Gender Aspects of Education | Peer Reviewed: | Yes | HERDC Category Description: | C1 Refereed Article in a Scholarly Journal |
---|---|
Appears in Collections: | Journal Article |
Files in This Item:
File | Description | Size | Format |
---|
SCOPUSTM
Citations
34
checked on May 4, 2024
Page view(s)
1,228
checked on May 19, 2024
Items in Research UNE are protected by copyright, with all rights reserved, unless otherwise indicated.