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Publication DateTitleAuthor(s)Date Added
121-Nov-2024The Juukan Gorge destruction: a case study in stakeholder-driven and shared values approach to cultural heritage protectionOliveri, Vicki Antonia ; Porter, Glenn ; Davies, Chris; James, Pamela5-Dec-2022
28-Mar-2024Collecting Consequences: A Study on Art Crime and Cultural Heritage Protection IssuesOliveri, Vicki Antonia ; Davies, Chris; James, Pamela; Porter, Glenn 31-May-2024
32024The dimensions of ‘forensic biosecurity’ in genetic and facial contextsKruger, Erin; Porter, Glenn ; Birch, Philip; Bizo, Lewis ; Kennedy, Michael 5-Sep-2024
414-Feb-2023The Application of Forensic Artists to Produce Facial Likenesses from Poor Quality Surveillance ImagesSpiteri, Vanessa Rose ; Porter, Glenn ; Bizo, Lewis ; Wise, Jenny 9-Sep-2024
52023Reawakening criminology: the importance of scientific method and inquiry in policing practiceBirch, Philip; Kruger, Erin; Porter, Glenn ; Bizo, Lewis A ; Kennedy, Michael 7-May-2024
626-Nov-2022Collecting Consequences: Art Crime and Cultural Heritage Protection IssuesOliveri, Vicki Antonia ; Porter, Glenn 6-Sep-2024
73-Aug-2022The application of forensic artists to produce facial likenesses from poor quality surveillance imagesSpiteri, Vanessa ; Porter, Glenn 6-Sep-2024
82022Art crime: the challenges of provenance, law and ethicsOliveri, Vicki ; Porter, Glenn ; Davies, Chris; James, Pamela29-Nov-2022
92022The Holga ExperimentPorter, Glenn 28-Nov-2024
10Aug-2021The effects of heat on the physical and spectral properties of bloodstains at arson scenesBastide, Belinda; Porter, Glenn ; Renshaw, Adrian23-Aug-2021
112021Forensic science in policingPorter, Glenn 4-Feb-2021
122021Professor Adrian Walsh, Uralla 2020Porter, Glenn 18-May-2022
1320-Nov-2020Art crime: discussion on the Dancing Shiva acquisitionOliveri, Vicki ; Porter, Glenn ; James, Pamela; Wise, Jenny ; Davies, Chris19-Aug-2020
1426-Sep-2020Forensic Art ProjectPorter, Glenn 20-Jul-2021
15Sep-2019Detection of latent bloodstains at fire scenes using reflected infrared photographyBastide, Belinda; Porter, Glenn ; Renshaw, Adrian12-Sep-2019
162018The CSI effectCole, Simon A; Porter, Glenn 16-Jul-2019
172016Model forensic scienceEdmond, Gary; Found, Bryan; Martire, Kristy; Ballantyne, Kaye; Hamer, David; Searston, Rachel; Thompson, Matthew; Cunliffe, Emma; Kemp, Richard; San Roque, Mehera; Tangen, Jason; Dioso-Villa, Rachel; Ligertwood, Andrew; Hibbert, David; White, David; Ribeiro, Gianni; Porter, Glenn ; Towler, Alice; Roberts, Andrew1-Aug-2019
187-Dec-2015Variation of craniofacial representation in passport photographsSpiteri, Vanessa Rose ; Porter, Glenn ; Kemp, Richard31-Jul-2019
197-Dec-2015Guest editorialPorter, Glenn 12-Aug-2019
207-Dec-2015Detection of second-generation images using an assessment criteria methodPorter, Glenn ; Ebeyan, Robert31-Jul-2019
21Mar-2015A Novel Method for the Photographic Recovery of Fingermark Impressions from Ammunition Cases Using Digital ImagingPorter, Glenn ; Ebeyan, Robert; Crumlish, Charles; Renshaw, Adrian30-Jul-2019
222014Forensic PhotographyPorter, Glenn 17-Jan-2020
232014How to cross-examine forensic scientists: A guide for lawyersEdmond, Gary; Martire, Kristy; Kemp, Richard; Hamer, David; Hibbert, Brynn; Ligertwood, Andrew; Porter, Glenn ; San Roque, Mehera; Searston, Rachel; Tangen, Jason; Thompson, Matthew; White, David31-Jul-2019
24Nov-2013Images as EvidencePorter, Glenn 12-Aug-2019
25Sep-2012Detection of Latent Bloodstains Beneath Painted Surfaces Using Reflected Infrared PhotographyFarrar, Andrew; Porter, Glenn ; Renshaw, Adrian7-Aug-2019
2624-Jul-2012The CSI effect at university: forensic science students’ television viewing and perceptions of ethical issuesWeaver, Roslyn; Salamonson, Yenna; Koch, Jane; Porter, Glenn 7-Aug-2019
272012Zak Coronial Inquest and the Interpretation of Photographic EvidencePorter, Glenn 8-Aug-2019
282012Photographic truth and evidencePorter, Glenn ; Kennedy, Michael8-Aug-2019
2930-Jan-2011The investigation of a relative contrast index model for fingerprint quantificationVanderwee, Jana; Porter, Glenn ; Renshaw, Adrian; Bell, Michael15-Aug-2019
301-Jan-2011A new theoretical framework regarding the application and reliability of photographic evidencePorter, Glenn 8-Aug-2019
311-Apr-2010Atkins v The Emperor: the ‘cautious’ use of unreliable ‘expert’ opinionEdmond, Gary; Kemp, Richard; Porter, Glenn ; Hamer, David; Burton, Mike; Biber, Katherine; Roque, Mehera San8-Aug-2019
3225-Mar-2010User Preference for a Control-Based Reduced Processing Decision Support InterfaceMorrison, Ben W; Wiggins, Mark W; Porter, Glenn 15-Aug-2019
3310-Jun-2009CCTV images as evidencePorter, Glenn 8-Aug-2019
34Mar-2009Law's Looking Glass: Expert Identification Evidence Derived from Photographic and Video ImagesEdmond, Gary; Biber, Katherine; Kemp, Richard; Porter, Glenn 22-Jul-2019
352009Photography: Marks, Impressions, and DocumentsPorter, Glenn 2-Dec-2019
3613-Aug-2008The detection of latent residue tattoo ink pigments in skin using invisible radiation photographyMcKechnie, Michelle L; Porter, Glenn ; Langlois, Neil8-Aug-2019
3710-Jun-2008The quantification of fingerprint quality using a relative contrast indexHumphreys, Jill D; Porter, Glenn ; Bell, Michael7-Aug-2019
38Dec-2007Visual culture in forensic sciencePorter, Glenn 22-Jul-2019
392004Specialised photography and imagingPorter, Glenn 30-Aug-2019
4013-Nov-2000An anatomical and photographic technique for forensic facial identificationPorter, Glenn ; Doran, Greg22-Jul-2019
411998The Application of Forensic Photography for Facial Identification MethodsPorter, Glenn ; Doran, Greg22-Aug-2019

Credit Name
Glenn Porter
Full Name
Porter, Glenn
UNE Researcher ID
une-id:gporter4
 
Position Title
Associate Professor in Criminology
 
 
 
Scopus Author ID
Biography
Dr Glenn Porter was born in Sydney (Australia) and grew up in a small rural town called Silverdale, about 1.5 hours west of Sydney. He is an award-winning photographer and academic who works across interdisciplinary fields such as art, forensic science and visual criminology. Photography is, however, his primary focus across all disciplines within his scholarly work and creative practice. Porter originally studied photography at the Sydney Institute of Technology and holds several postgraduate qualifications in the arts, science and applied science, including a PhD in Communication Arts, Master of Arts (Photography), Master of Applied Science (Photography) and Graduate Diploma in Science. He is also an Accredited Senior Imaging Scientist (ASIS) and Fellow (FRPS) of the Royal Photographic Society. Porter’s contemporary art photography work has been exhibited domestically and internationally in several art museums, galleries and photography festivals. His work is in private and public collections and has been selected as a finalist for several prestigious International awards, including the Head On Portrait Award, Olive Cotton Portrait Award, Stanthorpe Photography Award, Mullins Conceptual Photography Prize and the Black & White Photo Award (Paris). Porter’s first solo exhibition, ‘The Holga Experiment’, was shown at the New England Regional Art Museum in 2022.
 
Discipline
School of HASS - Sociology and Criminology
 
Faculty
Faculty of HASS and Education
Honorific
Associate Professor
 
Surname
Porter
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Given Name
Glenn
 
Preferred Given Name
Glenn
School/Department
School of Humanities, Arts and Social Sciences
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