Adaptations, reboots and remakes in popular culture: Crime, noir, horror, heroes, beasts and bodies

Title
Adaptations, reboots and remakes in popular culture: Crime, noir, horror, heroes, beasts and bodies
Publication Date
2024-12
Author(s)
Coghlan, Jo
( author )
OrcID: https://orcid.org/0000-0002-6361-6713
Email: jcoghla3@une.edu.au
UNE Id une-id:jcoghla3
Hackett, Lisa J
( author )
OrcID: https://orcid.org/0000-0002-0900-3078
Email: lhacket4@une.edu.au
UNE Id une-id:lhacket4
Nolan, Huw
( author )
OrcID: https://orcid.org/0000-0003-1712-8855
Email: hnolan3@une.edu.au
UNE Id une-id:hnolan3
Type of document
Journal Article
Language
en
Entity Type
Publication
Publisher
Intellect Ltd
Place of publication
United Kingdom
DOI
10.1386/ajpc_00092_2
UNE publication id
une:1959.11/64629
Abstract

Adaptations, reboots and remakes do not just extend the popular appeal of a work or artist; they can cause controversy as they reinterpret and reimagine original, often iconic texts. This can be further complicated by the feeling of ownership that artists and fans have over the original, and arguments over the definitive version or interpretation prevail or the failing of the adapted version to be mindful of the social or cultural norms of the era, as in the case of the 2022 television remake of the cult neo-noir film American Gigolo (1980). Adaptations can also insightfully reimage what came before it and in doing so bring new critical insights into the original text as well as expand its space and place in contemporary cultural readings with the recent iteration of The Handmaid’s Tale (2022–present) being a case in point.

Link
Citation
The Australasian Journal of Popular Culture, 13(2), p. 119-124
ISSN
2045-5860
2045-5852
Start page
119
End page
124

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