The Anne Boleyn Music Book (Royal College of Music MS 1070). Facsimile with introduction by Thomas Schmidt, David Skinner, with Katja Airaksinen-Monier. (DIAMM facsimiles, 6.) Oxford: DIAMM Publications, 2017. [Pref., p. ii; introd., p. 1–32; bibliog., p. 33–36; appendices, p. 37–54; 269 color plates. ISBN 978-1-907647-06-2 (hardback). £70.]

Title
The Anne Boleyn Music Book (Royal College of Music MS 1070). Facsimile with introduction by Thomas Schmidt, David Skinner, with Katja Airaksinen-Monier. (DIAMM facsimiles, 6.) Oxford: DIAMM Publications, 2017. [Pref., p. ii; introd., p. 1–32; bibliog., p. 33–36; appendices, p. 37–54; 269 color plates. ISBN 978-1-907647-06-2 (hardback). £70.]
Publication Date
2019-06
Author(s)
Stoessel, Jason
( author )
OrcID: https://orcid.org/0000-0001-7873-2664
Email: jstoess2@une.edu.au
UNE Id une-id:jstoess2
Type of document
Review
Language
en
Entity Type
Publication
Publisher
Music Library Association
Place of publication
United States of America
DOI
10.1353/not.2019.0052
UNE publication id
une:1959.11/27674
Abstract
Manuscript 1070 of the Royal College of Music (hereinafter MS 1070) has had a colorful reception in modern musicology. Half a century ago, Edward Lowinsky (“MS 1070 of the Royal College of Music in London,” Proceedings of the Royal Musical Association 96 [1969]: 1–28) proposed an elaborate narrative of court musician Mark Smeaton (ca. 1512–1536) copying MS 1070 for Anne Boleyn (ca. 1501–1536) in the last years of her life as the illfated second queen of King Henry VIII.
Link
link
Citation
Notes, 75(4), p. 697-701
ISSN
1534-150X
0027-4380
Start page
697
End page
701

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