Stoessel, Jason

Collins, Denis

Bolland, Scott

2020

There have been several attempts to improve the retrieval of symbolic music information by Optical Music Recognition (OMR) to increase the “searchability” of digital music libraries of early music prints and to facilitate the collection of data for musicological research. Their success has varied. This report describes a new online OMR system based upon industry-standard platforms to automate the encoding of early 17th-century music prints. Due to our research on composers of canons in early 17th-century Rome, we have used as a test case the early music prints of Paolo Agostini. Agostini was maestro di cappella at St Peter’s Basilica and the most active exponent of advanced contrapuntal techniques, especially canon, in Rome in the 1620s. We developed a digital tool to process images of Agostini’s printed music and to classify 7,092 automatically selected objects according to 38 music symbols using supervised learning with convolutional neural networks (CNN). The resulting system, IntelliOMR, exhibits up to an average of 99% accuracy for classifying unseen items after 50 training epochs. It has proven effective for rapidly encoding all of Agostini’s works in the Music Encoding Initiative’s XML format for a critical edition and computer-assisted musical analysis. The approach and design of this digital tool offer significant opportunities for enhancing digital library systems and for future research projects investigating digital corpora of early printed music.

Proceedings of DLfM 2020: 7th International Conference on Digital Libraries for Musicology, p. 1-9

9781450387606

https://hdl.handle.net/1959.11/29637

en

Association for Computing Machinery (ACM)

Attribution-ShareAlike 4.0 International

Using Optical Music Recognition to Encode 17th-Century Music Prints: The Canonic Works of Paolo Agostini (c.1583-1629) as a Test Case

Conference Publication

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